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COLOR OF THE YEAR 2021

Every year I look forward to the announcement of Pantone's color of the year. They have been doing this for over 20 years. The announcement influences fashion, home furnishings, industrial design and a glass sale at Stained Glass Express! To pick the color, the Pantone color experts look at color influences from current/emerging entertainment and film industry, art collections and new artists, fashion, design, travel, sports, lifestyles and socio-economic conditions.

2021 Brings us two colors! Ultimate Gray and Illuminating Yellow.

"The union of an enduring Ultimate Gray with the vibrant yellow illuminating expresses a message of positivity supported by fortitude. Practical and rock solid but at the same time warming and optimistic, this is a color combination that gives us resilience and hope. We need to feel encouraged and uplifted; this is essential to the human spirit" _Leatrice Eiseman, Executive Director of the Pantone Color Institute.

Our picks for our March sale are:

For 96 COE - Oceanside 28072 Pewter and 161 Yellow Transparent

For Art Glass Wissmach's 31 Corella Classic and Kokomo's 789 Grey Opatlume

These are some picturs from the fashion world using the colors.

Home Decor

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TIDBITS OF INFORMATION

What is the difference between copper wire and tinned copper wire?

They are both copper wires. The tinned wire is a bit easier to use if you are soldering it because it already has a coating of solder on it.

https://www.stainedglassexpress.com/metals/wire/

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So many foils!

Different backing, different widths, and different thicknesses

Why does this matter? Take a look.

Can you see how the color of the backing shows through? It matters when you are using see through glass. It helps when the patina matches the backing. Like the center one is black backed. If that copper on the outside gets patinaed black it looks good. If you were doing a piece with a lot of see-through glass and you used copper back, you would be sad, disappointed and distracted by the copper peaking out at you.

https://www.stainedglassexpress.com/metals/copper_-_silver_foil/

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FUSING WITH NON-FUSIBLE GLASS

Can you do it? Yes. However, you cannot mix sheets because the coe is unknown. If you know that two pieces of glass came from the same sheet, you could fuse them together. Sometimes non fusible glass will devitrify. Probably because you don't really know what temperature to fire it at. If you coat it with Spray A that generally takes care of it. This is also good for slumping bottles. They come out clearer if you coat the up side with Spray A.

https://www.stainedglassexpress.com/Chemicals/fusing-chemicals-kiln-wash/hotline-spray-a-plus-16-oz.html

You could take two wispy pieces of glass from the same sheet and put one across the other with the wisps going in a different direction and get a nice effect.

You cut shapes from one piece and fuse to another piece if they are from the same sheet.

You could take single pieces and slump them into a vase.

Pic from Glass with a Past

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TRACKING HEAD

https://www.stainedglassexpress.com/Glass-Tools/Hand-Tools/cutters-shears-and-snippers/heavy-duty-wide-head-brass-glass-cutter.html

This is a great cutter for straight cuts. You just will not believe how much easier it is to use.

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CUTTING TUBES WITHOUT CRUSHING THEM

When cutting a tube, put a toothpick in the end where you are cutting, and it will keep you from crushing the tube.

https://www.stainedglassexpress.com/Glass-Tools/Hand-Tools/cutters-shears-and-snippers/tubing-cutter.html

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Have an old circle cutter you no longer use to cut glass? Use it to cut paper.

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PLIERS - WHICH END IS UP?

RUNNING PLIERS - Just cannot live without them. They are used to run a score. You just position the jaws at the end of the score line and gently squeeze. To remember which end is up, remember the saying "screw up or screw up"

https://www.stainedglassexpress.com/Glass-Tools/Hand-Tools/pliers/metal-running-pliers.html

GROZIER PLIERS

I learned this one just this week. Your pliers should look like alligator head to be the right way.

https://www.stainedglassexpress.com/Glass-Tools/Hand-Tools/pliers/grozer-breaker-pliers.html

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MURPHY'S LAWS FOR STAINED GLASS

(I would like to give credit for this, but I no longer know where I got it)

Solder Law: Hot solder looks exactly like cold solder.

Solder Law II: One lead joint will always be unsoldered.

Breakage Law: The number of bad breaks you get is directly proportional to the price of the glass.

Breakage Law II: The number of bad breaks is an opposite proportion to the amount of glass on hand.

Breakage Law III: The number of bad breaks is proportional to the distance from your supplier.

Law of Studio Geometry: Any horizontal surface is soon piled up.

Law of Focus: At the most difficult point in construction of any project, the phone will ring.

Law of Focus II: The moment your hands touch lead, flux or patina, extreme hunger pangs will commence.

Law of Commerce: Everyone knows someone who does glass....cheaper.

Replacement Law: The moment you replace a lost tool with a new one, you will find the original.

Installation Law: The time required to install is proportional to the number of people watching.

Installation Law II: The tool you desperately need is back at the studio.

Common Sense Law: There is no such thing as a clean stained-glass window.

Common Sense Law II: The number of people you did not know were listening is proportional to the severity of the swear word used.

Common Sense Law III: Everything takes longer than you think.

Common Sense Law IV: Deadlines are always closer than you thought.

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THE AMAZING GLASS CHALLENGE 2020!

Here is a good thing that happened in 2020! The amazing Glass Challenge. Endings and Beginnings! The Entries really are amazing. We are proud to be the host of this contest and be associated with such talented people. We want to acknowledge and thank the founders of The Amazing Glass challenge, Lucie Boucher and Bernie Huebner of Soneridge Glass. They started The Challenge with Gray Glass Challenge in 2012. Stained Glass Express has kept it going most years since then. We also want to thank our judges for giving us the time and talent. Bruce Grantham, Alice Yates and Kathi Wall. Read Their Bios at these links: https://www.stainedglassexpress.com/store/skin1/images/patterns/About%20Bruce%20Grantham.pdf https://www.stainedglassexpress.com/store/skin1/images/patterns/About%20Alice%20Yates.pdf https://www.stainedglassexpress.com/store/skin1/images/patterns/About%20Kathi%20Wall.pdf And the biggest THANK YOU to all who took on the challenge. The winners are: See all the entries here: https://www.stainedglassexpress.com/store/skin1/images/patterns/All%20Pics.pdf If Covid had not turned our Champagne Reception into a hybrid event with our program being virtual, I would have added this as my contribution and the end of the program: Intro of

The Glass Tears Poem Journal by Randal S. Doaty

A ray of sunlight came through a pane in the glass studio workshop

The scrap glass bucket was nearly full. On top of this heap was a hardened drip of glass that had

carelessly fallen from a glass artist's punti.

Glimmering in the sunlight that morning was the very first Glass Teardrop

It may have remained just scrap until the simple words, glass tears, softly whispered in the imagination of a would-be poet.

What was intended as the end - into the scrap bucket - became the first bit of beauty of the day.

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SOLDER - WHY DIFFERENT ONES

60/40 60/40 solder is 60% tin and 40% lead. It stays in liquid stage longer, giving you more time to set a smooth bead. It melts at 372 to 374 degrees F. It solidifies at 361 degrees F. This is the most popular solder. Easy to use, consistent, smooth. 60/40 takes all patina great. https://www.stainedglassexpress.com/60-40-solder-1-lb.html 50/50 50/50 solder is 50% tin and 50% lead. It is more economical than 60/40. It has a higher melting point of 413 to 420 degrees F. It solidifies at 361 degrees F. https://www.stainedglassexpress.com/solder-50-50-1-lb.html 60/37 Fast setting or also called eutectic, which means it melts and solidifies at the same temperature. That means it stays where you put it. Great for decorative soldering. The melting temp is 361 degrees F. https://www.stainedglassexpress.com/63-37-solder-1-lb.html Lead Free - Do not be fooled. Lead certainly is the most toxic of the metals in solder. However, right behind lead is silver and antimony. Lead free melts at a higher temperature than lead solders which makes it more difficult to work with. Depending on the brand or type, the melting range is from 440 degrees to 482 degrees F. It is the least toxic of all the solders and should be used when making anything that will be in contact with the skin or handled often like jewelry, jewelry box or kaleidoscopes. Black patina works fine on lead free solder but copper patina does not. Some brands of lead free solder will have a satin finish, not the bright and shiny finish that most want. Amerway's Ruby and Emerald lead free solder do have the silver look. https://www.stainedglassexpress.com/lead-free-solder-1-lb.html
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Featured Artist - SILVIA "LILLA" TABASSO

This artist was born in Milan. This is a self-trained artist, influenced by the bead makers in Venice. Her work is a page stopper. If you are flipping through a magazine and see her work, you are stopping on that page! Her work shows nature from flowers in full bloom to the drooping last days, if real, those flowers would be out of the vase and into the trash! These pictures are from Lilla Tabasso glass and jewelry facebook page.
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COE

CONFUSION OR EFFECTIVE

What it means is coefficient of expansion. It is a measurement of the rate that glass will expand and contract when it is heated and cooled. In the good old days, we just lived and died by put 90 COE together or put 96 COE together. It did seem to work. It has become more complex. It is now a guideline not a "live by, die by rule". First now we hear about a lot more coes.

Window glass (float glass) is somewhere between 84-87.

A bottle could be anywhere between 82-96.

Now we also deal with hot glass. The soft rods, glass and accessory are 104 COE

The next confusion came when Bullseye announced they were Bullseye compatible and stopped saying 90 coe. I felt that Bullseye had to be aiming for something and that was 90; we had some comfort in saying you can put 90 with Bullseye. We all loved System 96. We could put together Uroboros and Spectrum and that all worked fine. Then when those companies closed and Oceanside started manufacturing the Spectrum line, they followed what Bullseye did and said they were Oceanside compatible. So then, still feeling they were headed for some number for compatibility and that number was 96, we were still ok saying “sure put it with Wissmach and Youghiogheny 96”. Youghiogheny even was testing their 96 to Oceanside and Wissmach. Did we see some odd results coming out of the kiln? Yes, we did, now and then. When breakage happens, it is going to be thermal shock, bad annealing, or incompatibility. For this blog we are focusing on incompatibility. Bullseye does a wonderful job of putting out technical data. They are clear about saying that coe is NOT the only measure of compatibility. Viscosity of glass is equally as important. Viscosity is resistance to flow.

This direction from Bullseye tech tips.

“Whereas expansion affects the compatibility

predominantly in the lower temperature range—below the

strain point—the viscosity properties affect compatibility

predominantly in the annealing range, from the annealing

point to the strain point. Differences in viscosity between

two glasses will cause compatibility problems. If one glass

is stiffer than the other, they will strain each other as they

cool through the annealing range.”

How can you know if your breakage occurred when annealing or fusing? If the break is sharp it broke during cooling (annealing). If the break is smooth over it, then it was still fusing after the break. So, what to do? If you are going to mix manufacturers, you need to test. They may be compatible. They may not.
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URO BY YOUGH

On May 7, 2020 Youghiogheny and Oceanside announced a partnership where Oceanside will continue with the Spectrum line and accessory glass and Youghiogheny will take on the manufacturing of the Uroboros line. It is exciting to have the Uroboros line again. With Youghiogheny manufacturing the Uroboros line, we not only will get the glass we will see more options in the accessory glass line. I am taking a leap here, but I believe that this collaboration will bring back the "96" term which Oceanside has not been using. Both companies are saying the System 96 brand will be back. That is exciting news. No question that Y-96, Oceanside and Uro fusible will be compatible.

Here is the official announcemnt.

Our industry is long overdue for an announcement of excitement and positivity, so we are pleased to be the bearer of good news. Youghiogheny Glass, together with Oceanside Glasstile, is announcing the acquisition and launch of Uro by Yough, a resurrection of the Uroboros line of both traditional art glass and 96 compatible fusible glass. The machines and all of the equipment have arrived at our Connellsville factory, and we are just about ready to start production. We would like to thank Oceanside Glasstile for approaching us with this opportunity. Their transparency and cooperation throughout the entire process has resulted in a second thrilling announcement; a collaborative resurrection of the System 96 brand of fusible glass and products including Oceanside Compatible, Uro by Yough, and Y96!! So what this means is that Youghiogheny Glass will produce URO by Yough and will collaborate with OGT to resurrect the System 96 brand. The new agreement will allow for the most comprehensive product selection of hand rolled art glass And a complete line of System 96 compatible fusing glasses and accessories. The last 5 years have been tumultuous. Our passion for glass and the industry drove us to fill product voids created from the upheaval and expand Youghiogheny's palette. We viewed this time as an opportunity for growth and expansion into the 96 fusible market with our Y96 product line, even though the future seemed uncertain. In less than a year from the release of Y96, we unveiled the True Dichro line of Art Glass. This had been a 10 year experiment and an outstanding breakthrough in art glass manufacturing science. This was quickly followed by a line of Textured Streaky Art Glass and then Art Glass Irids. Finally, we expanded color options in Y96, more than doubling the original offerings. At the end of 2019, we thought we had done it all. However, opportunity arose once again when we were approached by Oceanside GlassTile regarding Uroboros production and System 96. Youghiogheny has a long history of producing high quality, handmade sheet glass and is the ideal landing spot for the products previously produced by Uroboros. Our niche and strengths are the perfect complement to OGT’s continuous ribbon and accessory products in order to expand the System 96 palette. The name Uroboros Glass carries a heavy weight with us. The brand and legacy created by Eric Lovell is of the highest quality and held in the highest regard. We consider it an honor and great challenge to properly reintroduce Uro, by Yough. An undertaking of this magnitude for our company will be a challenge, one of excitement and optimism. This is an area where we ask for your help. Any insight that you can provide us with from your previous years of experience with the Uro line of glasses will be helpful. The expansive line of art glass, with the many combinations of colors and textures, has many products that are very similar or identical to items currently produced within our existing product lines. Uro by Yough is striving to recreate the most sought after products previously manufactured without creating duplicates of what is currently available. With your valuable input we will be able to determine a production starting point more quickly. We thank you for your continued support and loyalty and look forward to providing you with even more excellent products. Stay Well, Tristan and Leanne Triggs
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COLOR OF THE YEAR, 2020 - CLASSIC BLUE

This announcement is something to look forward to every year! It is plain fun. Pantone is a company that provides a universal language of color. Many manufacturers use it. Once you might not know is paint. Because it is all about color, we watch for it every year and match up glass and feature glass. Pantone describes it like this: "Instilling calm, confidence, and connection, this enduring blue hue highlights our desire for a dependable and stable foundation on which to build as we cross the threshold into a new era. Little did they know when this was announced that the world was also about to announce the start of a pandemic that did any but ensure stability. Leatrice Eisemen, Executive Director of the Pantone Color Institute says "we are living in a time that requires trust and faith....Classic Blue is a solid and dependable blue hue we can always rely on...an anchoring foundation. A bondless blue evocative of the vast and infinite evening sky, Classic Blue encourages us to look beyond the obvious to expand our thinking; challenging us to think more deeply, increase our perspective and open the flow of communication. I look at this color and I think of favorite blue jeans. The ones you just want to slip on because they feel good. The Pantone website also gives colors to go with the color of the year. They call them Color Harmonies. There are several but my favorite is Desert Twilight. Suggestive of the early evening sky, the boundless PANTONE Classic Blue 19-4052 creates an elegant backdrop for a glittery grouping of sophisticated shades painted across the sky, adding illuminating sparkle to a Dessert Twilight. To see other Color Harmonies click here: https://www.pantone.com/color-intelligence/color-of-the-year/color-of-the-year-2020-palette-exploration
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UNCERTAINITY AND DISRUPTION RULE

Youghiogheny Y-96-2120 Root Beer on White
  • In January, the COVID-19 pandemic was confirmed to have reached the United States.
  • The Trump administration declared a public health emergency on January 31.
  • In February, the first deaths were recorded.
  • On March 11th, the World Health Organization declared the Novel Coronavirus Disease, COVID-19, a pandemic.
  • On March 13, President Trump declared a national emergency.
  • By the end of March all 50 states, the District of Columbia, and all inhabited U.S. territories except American Samoa had cases.
  • On May 27, the U.S. had the most confirmed active cases and deaths in the world.
OUR LIVES
OUR lIVES Oceanside Ivory Opalescent Smooth
  • States are under, “Stay at Home”, “Shelter in Place”, “Safer at Home” orders that encourage people to stay at home as much as possible.
  • We went from elbow bumps to six feet social distancing.
  • We wear masks, wash our hands over and over and sanitize everything in sight and out of sight.
  • Schools closed, people work from home, non-essential businesses closed, and we sent our employees home.
  • Conferences that have been held for years have been cancelled.
  • No need to travel, no place to go. Everything is closed.
  • The sick perish without loved ones at their side. Quarantined until the end.
  • We Zoom meetings and FaceTime with our grandchildren and other loved ones.
LOOKING FORWARD
Youghiogheny 3600 Stipple
  • Some business are closed and will never reopen.
  • Some business are open but operate very differently.
  • Still a question if children will return to school in the fall.
  • Most will live, some will pass away, many will live with lasting effects of the illness.
  • Be optimistic and look forward to what normal will become.
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Setting Up a Workshop

Setting Up a Workshop

Recently on Facebook, I saw someone asking about the floor in her workshop she was setting up. Her husband wanted to put down carpet since the workshop was in the cellar and the carpet would make the floors feel warmer. Of course, she got an emphatic, “no” because of burns and glass shards. Stained Glass News puts out a publication called “The Beginner’s Guide to Stained Glass.” In that publication, there is an article called “Helpful Ideas for Setting up your Own Stained Glass Workshop.” Most of this info comes from that article.
  1. Proper ventilation. That can be a ventilation system or a fan blowing the fumes away from you or a fume trap. A good option would be the Weller Fume Trap Smoke Absorber.
Weller Fume Trap Smoke Absorber.2. Plenty of light. When we set up our first retail store, at one point, we doubled the lighting. We just could not get enough light. Make sure you have a well-lit work area. Light boxes are also very handy. 3. Storage for glass. There are plenty of options available for easy glass storage. If you buy full sheets, ask your glass dealer for empty cases. Set them on end, and you have a great storage area. The Morton glass caddy is great for cut sheets. Morton Glass Caddy.4. Grounded electrical connections. Do not use extension cords. The power strips that extend horizontally or vertically work well. Buy more than you would expect to use because you just won't believe how many you will actually need. You'll need power for your soldering iron, ventilation, your music source, saw, grinder and lightbox, just for starters. Have them in easy reach, not under a counter so you won't have to crawl around to plug something in. 5. Disposal of glass and junk. Set up your room with a place to put the glass you want to keep. As a safety precaution, use a metal trash can for glass shards or working with hot glass. Cleaning rags should go in covered metal storage containers. Clear storage bins are a great way to store your scrap glass.6. Easy-to-clean flooring. Do not use carpet. Make sure your flooring is something that is not going to break your heart if you drop hot solder on it and burn it. 7. Pay attention to the height of your work area. Do you like to work sitting or standing? Have your working surface at a comfortable height based on this preference. 8. Access to water is important. Using your kitchen sink is not recommended for this activity.
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WHY THE GLASS YOU WANT IS NOT AVAILABLE

WHY THE GLASS YOU WANT IS NOT AVAILABLE

Stained Glass Express always took pride in never being out of stock on any glass. We would have AT LEAST one sheet cut up and out on the retail floor ready for you to carry out. Then we had another full sheet in the warehouse. As soon as the full sheet in the warehouse went to the retail floor, we ordered another.

It is not that simple any longer. Since Spectrum (announced May 11, 2016) and Uroboros (announced October 2016) closed, not only has some glass been scarce or not available at all, the dynamics of buying glass is different. Both companies' assets were sold to Oceanside glass and Tile.

Oceanside certainly has had their challenges. They moved the assets, they built buildings, they trained workers. As the distributor's warehouses emptied of their stock of Spectrum and Uroboros, we felt the need to find glass. It was a year from the time Spectrum announced closing that we knew that Oceanside would begin production. In the mean time, this is what we did:

  1. We sell a lot of cabinet glass and most of it to one customer. We bought 1 year's supply hoping the dust would settle by then and we would not be cutting and putting together hundreds of new sample sets for this customer. We called it right on that one! We made it through the year and we are still using the same sample sets. Below is our top selling cabinet glass. Clear Seedy.

https://www.stainedglassexpress.com/spectrum-clear-seedy-glass.html

2. We brought in two new lines of fusible glass. First, we brought in Wissmach's 96 line. That meant rearranging some display area to make room for a new line of glass. We still had a lot of the old System 96, but as we ran out of some colors, we needed to be ready. Then we brought in Youghiogheny 96. We later became the Northeast distributor for Youghiogheny and increased that line.

https://www.stainedglassexpress.com/Fusible-Glass/96-COE/Wissmach-96-COE-Glass/

https://www.stainedglassexpress.com/Fusible-Glass/96-COE/Youghiogheny-Y-96-Glass/

3. We increased our offering of Bullseye compatible glass. We like to think of this as 90 COE but Bullseye just says Bullseye compatible. We have had more customers switch over to Bullseye to avoid the turmoil and there is no question it is totally beautiful.

https://www.stainedglassexpress.com/Fusible-Glass/90-COE-Glass-and-Frit/90-COE-Glass-Bullseye/

Then Oceanside announced that most of the line that previously was non-fusible would become fusible. Wow! That involved us changing around the entire showroom. Our big wall of non- fusible cubbies would become fusible because that change meant most of our glass would be fusible. What a delight this change is for fusers. Fusers have many more options.

All these changes for Spectrum/Oceanside meant for a rocky supply chain. Clears were manufactured and then they switched to color. Before they went back to clears, they became scarce.

It also meant for a lot of changing around the showroom and trying to keep things so you could find what you wanted. (If we were lucky enough to have it!) Keeping the non-fusible separate from the fusible. For a time, we might have some that looked exactly alike but one was fusible and one was not.

At this point there are colors that are manufactured twice a year. We can only hope that our distributors call it correctly and have enough to get us to the next run. They have not even manufactured all the colors yet!

Iridized glass has all but disappeared. Kokomo's iridizing machine was shut down during the EPA investigations in 2016. It got plugged up when it was turned off and they have not brought it back to running again. Oceanside does not have the ability to iridize yet. Once in awhile we get some Wissmach but it is scarce.

Then we have two new lines. Big investment. Then the Oceanside started being manufactured. We wanted to grab that as it became available. Big decisions about how much to buy. We all have limited resources and even though we might want to spend every dollar on glass (we know you understand THAT), we also have to meet payroll, pay utilities, put paper in the copy machine and all those other things you just hate to think about.

Even planning a sale is different. I now start gathering up enough glass to have it on sale, three months ahead. I might have to buy from three different distributors and I generally try not to buy glass more than twice a month. That means there is extra glass setting here waiting for a sale that is three months out, some waiting for a sale two months out etc. That means less money for routine orders. However, we now know we better buy it when it is available.

We are being diligent to get the glass as it is available. We are trying to keep the website updated with the changes. Somedays when customers don't seem to know there have been shutdowns, we think we should pat ourselves on the back. that means we have kept enough stock so that vast gaps are not obvious to you, the customer. There are other days when we don't know how we are going to run a sunflower class because we don't have enough yellow, that we heave a large sigh. However, we keep searching and make it happen.

Despite all the current difficulties, we are lucky to be in an industry that surrounds us with so much beauty, fun and healing power.

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